{"id":508,"date":"2026-04-28T18:01:54","date_gmt":"2026-04-28T18:01:54","guid":{"rendered":"https:\/\/borisrozas.com\/boris-rozas-and-how-wes-borland-learned-to-play-by-ear\/"},"modified":"2026-07-27T21:15:17","modified_gmt":"2026-07-27T21:15:17","slug":"boris-rozas-and-how-wes-borland-learned-to-play-by-ear","status":"publish","type":"post","link":"https:\/\/borisrozas.com\/en\/boris-rozas-and-how-wes-borland-learned-to-play-by-ear\/","title":{"rendered":"Boris Rozas and How Wes Borland Learned to Play by Ear"},"content":{"rendered":"

By Hugo Garc\u00eda Michel<\/strong><\/p>\n

Wes Borland is a singular musician, an unconventional artist. The guitarist for the American band Limp Bizkit\u2014as well as several other projects\u2014has always stood out not only for his skill as an instrumentalist and composer, but also for his taste for performance<\/em>. This has led him to wear masks and outlandish costumes that conceal his true personality and lend him an aura of mystery that fascinates his followers. He is a major figure in rock, particularly in the nu metal scene of the late twentieth century and the years that have followed, and as such has amassed an enormous number of fans around the world. Even so, very few people would have thought of him as a source of poetic inspiration, as a kind of muse capable of awakening a poet\u2019s sensibility to such an extent that the poet would title his latest collection Wes Borland aprende a tocar de o\u00eddo<\/em>.<\/p>\n

\"\"<\/p>\n

But let us be precise. Borland\u2019s name appears explicitly only in the title of the book and in one of the poems (\u201cWes Borland learns the hard way \/ across several states of the country, \/ his father played blues in church \/ from the unfinished score \/ of poor neighborhoods. \/ The light fades in the room \/ where they both learn \/ to play by ear \/ those who refuse to die \/ like corpses \/ rehearse hymns that will never appear \/ in any book.\u201d). Nevertheless, what remains implicit throughout the collection\u2019s seventy-odd pages is a kind of quiet, unspoken conversation with the musician, as though Rozas were establishing an intimate communication with him that spills over into poetry and becomes the very substance of the work.<\/p>\n

Boris Rozas is a writer born in Buenos Aires, Argentina, who has lived in Valladolid, Spain, since he was practically a child\u2014a Buenos Aires native turned Valladolid local. A graduate in Philosophy and Letters from the University of Valladolid, he has published around twenty poetry collections to date, including Ragtime<\/em>, Invertebrados<\/em>, Las mujeres que paseaban perros imaginarios<\/em>, Annie Hall ya no vive aqu\u00ed<\/em>, Lugares a los que volver con el buen tiempo<\/em>, Rave<\/em>, and the book discussed here. In 2025, the latter received the VI Juan Ram\u00f3n Jim\u00e9nez International Poetry Prize of Coral Gables, Florida, United States, an international competition dedicated to promoting poetry in Spanish that receives an average of five hundred manuscripts each year from more than forty countries.<\/p>\n

Wes Borland aprende a tocar de o\u00eddo<\/em> is divided into three sections (\u201cBehind Us Everything Is Gray,\u201d \u201cParallax,\u201d and \u201cRise and Shelter of the Beasts\u201d). Throughout its pages\u2014and its verses\u2014it maintains a melancholic, introspective, and intense tone, yet remains far removed from solemnity, with touches that occasionally brush, however lightly, against the finest and sometimes bitterest irony. Perhaps in keeping with its title, the poems also possess a clear musicality that, as Henry Ballate, president of the Juan Ram\u00f3n Jim\u00e9nez Foundation, notes in the foreword, makes them something to be heard rather than merely read. This also relates to the other part of the title: learning to play by ear, something many musicians\u2014especially rock musicians, including Wes Borland himself\u2014have done. It is a method of learning that can be transferred to other forms of art, such as painting, sculpture, and literature, as well as to life itself.<\/p>\n

Let us look at three powerful examples\u2014a power trio<\/em>, to put it in rock terms\u2014chosen at random through the pleasurable and uncertain game of opening the book to any page.<\/p>\n

One:<\/p>\n

If any lovers still remain standing
\nwaiting for the new parks,
\nthen there are more than enough hands
\nto illuminate the remnants
\nof these days.<\/p>\n

The flower grows
\nquietly among its fears,
\nthe voices
\nrecover their sense of touch,
\nallow themselves to exist
\non another\u2019s
\nblank page.<\/p>\n

The wanderer walks barefoot
\nthrough the silent night.<\/p>\n

To gnaw without teeth
\nat the greasy remains of the afternoon
\nis like writing a poem
\nwithout the heart
\nbetween one\u2019s fingertips.<\/p><\/blockquote>\n

Two:<\/p>\n

To suppose that summer carries
\nthe words away
\non a carousel of escapes
\nwithout first or last names
\nis like imagining gaps
\nin the strange mathematics of the seasons,
\na silence erected
\nupon quicksand
\nthat devours one hand after another.<\/p>\n

At night,
\nopen the book and build your church
\nbefore attempting to reduce life
\nto rubble.<\/p><\/blockquote>\n

Three:<\/p>\n

And if the struggle seems terrible, an uphill climb,
\nthe roads narrow and rage,
\nleading you toward what you were not
\nand have already been,
\nreturn to the cold waiting that built
\nthe important things,
\nin time to stir everything up
\nif everything could understand you.<\/p>\n

I already find myself too alone
\nto carry any weapons
\nthat do not come from these hands,
\nspitting insects
\nwith lips inherited from other homes,
\nmy turn moves on,
\nthe poem\u2019s sky cannot be glimpsed
\nwhen the afternoon overflows
\nand you cannot reach it.<\/p><\/blockquote>\n

In another of his poems, Boris Rozas writes about Daisy Jones\u2014I assume he is referring to the fictional character created by American author Taylor Jenkins Reid in her successful novel Daisy Jones & The Six<\/em>, published in 2021 and later adapted into a streaming<\/em> series by Prime Video. Cats watch her from atop the walls as she \u201clongs to find peace \/ in the mirror built \/ for poets \/ in a permanent state of grace.\u201d She howls at the moon \u201cabove the Parthenopean hills\u201d and \u201csnorts the days \/ to the chords of her new guitar.\u201d There is an undeniable and not particularly hidden rock-and-roll spirit running through several of the poems in Wes Borland aprende a tocar de o\u00eddo<\/em>, and that is one of the collection\u2019s greatest virtues.<\/p>\n

Because, as Neil Young once said: \u201cRock \u2019n\u2019 roll will never die.\u201d<\/p>\n

Published on April 28 in Caf\u00e9 con Letras<\/em><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Hugo Garc\u00eda Michel Wes Borland is a singular musician, an unconventional artist. The guitarist for the American band Limp Bizkit\u2014as well as several other projects\u2014has always stood out not only for his skill as an instrumentalist and composer, but also for his taste for performance. This has led him to wear masks and outlandish … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":509,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press"],"yoast_head":"\nBoris Rozas and How Wes Borland Learned to Play by Ear<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/borisrozas.com\/en\/boris-rozas-and-how-wes-borland-learned-to-play-by-ear\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Boris Rozas and How Wes Borland Learned to Play by Ear\" \/>\n<meta property=\"og:description\" content=\"By Hugo Garc\u00eda Michel Wes Borland is a singular musician, an unconventional artist. The guitarist for the American band Limp Bizkit\u2014as well as several other projects\u2014has always stood out not only for his skill as an instrumentalist and composer, but also for his taste for performance. This has led him to wear masks and outlandish ... 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